taz: Greta Haberer. (2025). Den Mythos von Orpheus befragen: Alles ist sehr klar und unaufgeregt. taz. REVIEW. DE

Berliner Morgenpost. (2025) Ganz Persönlich: Politische Identität und ästhetische Praxis. Berliner Morgenpost. FEATURE. DE

Tanzbüro. (2025) Tanz am Abgrund. Tanzraum Berlin. PERSPECTIVES. EN / DE

Joyce, Beatrix. (2025) On Looking Back and Lost Love. Stream. REVIEW. EN

Withelm, Johanna. (2024) Wir bruachen einen Tanz 2.0. Tanzraum Berlin. INTERVIEW. DE

Genda, Dagmara. (2024) Utopia as Movement. Berlin Art Link. FEATURE. EN

Pischke, Lea. (2024) The Uncanny Mix of Ludicrous and Dangerous. Stream. REVIEW. EN

Ramanathan, Parvathi. (2024) Abundant Pastures: Fast Fashion Gen Z Primetime Gladiator in Sasha Amaya’s Solo for Boy. Stream. CRITICAL RESPONSE / IN DIALOGUE. EN

Hartwig, Dieter. (2023) Auf Tuchfühling. Tanznetz. VISUAL ESSAY. DE

nGbk, Lorena Juan and Isabel Meiffert, eds. (2023) As above, so below. Distanz Publishing. BOOK. EN + DE

Leopold, Elisabeth. (2023) On Choreographing Architectures. Stream. INTERVIEW. EN

Frasson, Elisa. (2023) Choreographing Architectures — Sensory Dialgues between Dance and Architecture. Stream. CRITICAL RESPONSE / IN DIALOGUE. EN

Boutroy, Raphaël. (2023) Sur la scène internationale. La liberté. ARTICLE. FR

Rusnak, Simeon. (2023) Humiliation Day. Classic107. ARTICLE + INTERVIEW. EN

van Straaten, Nicola. (2023) The Orfeo Project. Stream. INTERVIEW. EN

Eduardo Davila, Sebastián. (2020). Learning to take care of Sasha Amaya’s Sarabande. Re:visions. ESSAY. EN

Kaminski, Astrid. (2020) Subversivität und Humor. TAZ. ARTICLE. DE

Lee, Inky. (2020) Berlin-Cool. Tanzschreiber. REVIEW. EN